Keep filmmakers working in Iowa

Re: Keep filmmakers working in Iowa

Postby n8ture » Sun Jan 31, 2010 3:31 pm

PJMAtkinson wrote:In-state filmmakers did not submit financial records,


Would be a simple matter to clear that up if they just re-submitted their receipts etc. if they don't have them then I'm not sure why they would ever submit originals. Everything I send out is a copy. The originals always stay with me. It's just simple business sense.

I mean has any Iowa production sat down with the Register reporter that is supposedly made all this shit up about abuses and opened up the books or answered to any of the accusations?

Cryin about the tax incentives really doesn't do a whole lot I wouldn't think when all that is floating out there is how EVERYONE abused the system. So who's going to step up to the plate and say take a look at my production and tell me how I abused the system? When nothing is found then you say Ok, here's is how I brought in jobs for Iowan's did this, did that.
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Re: Keep filmmakers working in Iowa

Postby n8ture » Mon Feb 08, 2010 10:50 pm

The Iowa Attorney General’s office on Monday charged the former manager of the Iowa Film Office with misconduct in office and filed first-degree theft charges against principals involved in the making of a 2008 film in Council Bluffs.

The charges are the first after an almost five month probe of mismanagement and abuse of the state’s tax incentive program for filmmaking. The scandal has prompted state officials to review the effectiveness of all Iowa tax credits programs.

Deputy Attorney General Thomas H. Miller said preliminary hearings would be scheduled in the next 20 days for Tom Wheeler, who was fired in September as manager of the Iowa Film Office; Wendy Weiner Runge, an Omaha native and executive producer of “The Scientist;” Matthias Alexander Saunders, another business owner and photography director; and three limited liability corporations tied to the movie.

Miller would not say whether others — including film executives accused last year of buying luxury vehicles using Iowa tax breaks — would be charged.
“The investigation of the entire film tax credit program continues,” Miller said. “I have no comment beyond that.”

Wheeler’s attorney and brother expressed frustration Monday that Tom Wheeler faces serious misdemeanor allegations that could bring him up to one year in jail. Among other things, the attorney general accused Wheeler, 41, of ignoring the state act that created Iowa’s film program and allowing “false, inflated or nonexistent” expenses to be claimed for incentives tied to several projects.

Gordon Fischer, whom Wheeler hired shortly after a multi-agency investigation began in September, said the state was making Wheeler the fall guy for poor oversight of a program overrun with applications.

“It’s really, really disappointing that they made the decision to try to criminalize this,” Fischer said. Wheeler, he said, “continually raised to his supervisors that the workload was very heavy (inside the firm office), and he was doing the best he could with limited resources.”

Prosecutors reserved the most serious allegations for Saunders and Runge, who were among several movie-makers lured to Iowa in the past two years by a generous tax credit program, enhanced by lawmakers in 2007.

Weiner Runge, a 44-year-old film-maker and resident of St. Louis Park, Minn., is accused of a felony for reportedly inflating values of expenses on applications to the state for tax credits. Over the course of the project, Weiner Runge inflated the cost of making the film from $767,250 to almost $1.8 million, according to the Attorney General’s office.

Weiner Runge, one of four partners in Polynation Pictures, received initial approval for 10 projects involving a mix of productions before Gov. Chet Culver ordered the film program shut down in September. Her company was awarded $1.85 million in state tax credits for “The Scientist,” a full-length sci-fi film set to be released this year.

Saunders, 37, of Minneapolis owned a production company, Maximus Production Services, that was also connected to the film. According to Miller, he provided free services that were used to claim $2.5 million in credits. Saunders also faces felony theft charges.

The two face up to 10 years in prison if convicted.

Also charged with theft were Polynation Pictures, Maximus Production Services and The Scientist LLC, an Iowa company owned in part by Runge that was used to make the film.

Wheeler was in charge of coordinating tax-credit deals with moviemakers for the Iowa Department of Economic Development. Michael Tramontina, the director of the department, and Vince Lintz, the second in charge, resigned.

The state probe began after Tramontina and other state officials found move-makers had used the tax credit program to purchase two luxury vehicles worth more than $60,000 and other items later put to personal use.

Failure to perform duties required by law, exceeding authority and making contracts “that contemplate expenditures ... known by the person to be in excess of that authorized by law” are serious misdemeanors in Iowa.

The film fiasco has proven a significant political and financial liability for Culver and the state, which faces a record budget shortfall this year. Several movie-makers are said to be mulling legal action against the state because of botched deals. One film-maker bogged down by the program’s suspension already sued successfully to have credits awarded.


A state panel subsequently reviewed all of the state’s 30-plus tax credit programs, finding poor accountability and little transparency. Legislators are weighing whether to enact the recommendations as law this session.

Critics have complained that attention should be focused on government officials beyond Wheeler. They say the film program — created to be one of the most attractive in the country — was subject to poor oversight by officials up to and including Governor Culver.

“The governor’s lack of oversight and failure to properly manage the film tax credit has not only put the program in jeopardy but already wasted millions in taxpayer money,” House Republican Leader Kraig Paulsen, R-Hiawatha, and Sen. Paul McKinley, R-Chariton, said in September.

Governor Chet Culver’s office issued a statement saying, “The news on the investigation into the Iowa Film Office reinforces the swift action Governor Culver took when he first learned of potentially serious mismanagement of the program. Within days, the governor suspended the film tax credit program, and three employees at the Department of Economic Development resigned or were terminated from their employment.”

The release also noted that the governor asked for a multi-agency review of the film tax credit program and a review of all other tax credit programs.

Tom Wheeler’s brother, David, said it was no surprise to him that Miller announced the charges against his brother the same day Attorney General Tom J. Miller’s Republican opponent announced her bid for attorney general.

“The attorney general in his own press announcement states that the investigation is ongoing and Tom Wheeler was more than happy to cooperate with their investigation,” he said in a statement. “What is the rush? It’s because Mr. Miller and his political consultants in a cynical political move decided to use this day to try to keep his Republican opponent, Ms. Breanna Findley, off the media radar by using a politically motivated indictment.”

David Wheeler describes his brother as “a junior employee at the Iowa Department of Economic Development and one of the hardest working employees in that department that regularly put in 65 hours a week with no extra pay and maintained a spotless employment record with the department.”
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Re: Keep filmmakers working in Iowa

Postby daveindezmenez » Fri Feb 12, 2010 10:18 am

EricDeanFreese wrote:Dear Friends,

Many of you know that I have been involved in filmmaking for a number of years. This past year there was enough work that I was able to make it my career. My wife, son and I now face the possibility that we may need to leave Iowa for me to find employment.


Eric, I hope you don't have to be forced to move out of Iowa by the situation here. You are a very good DP and I think losing you would leave a hole in the Iowa film scene. In case you do have to move and you go to Los Angeles, I found a few things in a book I'm currently reading that might be helpful. The book is "Breakfast With Sharks" by Michael Lent and is about the business aspects of screenwriting but there is a section in the book that would be helpful for anyone contemplating moving to L.A. to work in the film business. It is about the practical aspects of moving to the city, finding a place to live, and keeping yourself alive while you are trying to get established. It asks you what your criteria is for moving to L.A., how do you know you are ready to move to L.A., and the Pros and Cons of living in L.A. Some of this information is tailored to writers but it still might be useful to you. It talks about where to live in L.A. and mentions that the further you live from the coast, the less expensive it is. It also mentions the distances you'll have to travel to get from place to place. It mentions something called "The Thomas Book" which is a map book that is indispensable for finding your way around. Anyway, I hope it might be helpful for you. Whether you stay here or go there, I want you to succeed. You are just too good with lighting for your talent to be put into limbo.
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Re: Keep filmmakers working in Iowa

Postby EricDeanFreese » Fri Feb 12, 2010 2:29 pm

Thanks, Dave!

I think LA would be about the last place I'd relocate to. I've visited there several times and each time I was happy to leave. I'd probably go to New Mexico.
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Re: Keep filmmakers working in Iowa

Postby daveindezmenez » Fri Feb 12, 2010 7:04 pm

New Mexico probably would be a promising place. Usually when someone talks about moving to be in the film industry they are usually talking about L.A. Although you (Eric) aren't planning to move there, perhaps this information will be useful to someone.
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Re: Keep filmmakers working in Iowa

Postby n8ture » Sun Feb 14, 2010 8:30 pm

A letter in the Des Moines Register from Eric.
http://tinyurl.com/yk9krl3

Still sounds like nothing is going to happen till next year.
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Re: Keep filmmakers working in Iowa

Postby n8ture » Sun Feb 21, 2010 12:13 am

In the weeks before Iowa's film program collapsed last fall, several top economic development officials were negotiating with a Minnesota filmmaker who fought for more than a year for tax breaks on services that never cost a dime, newly obtained state correspondence shows.

The correspondence — e-mails from August and September before film incentives were suspended — also shows top managers in the Iowa Department of Economic Development were scrambling to clarify rules aimed at preventing the type of abuse for which film office manager Tom Wheeler would be fired on Sept. 21.
Department officials knew Wheeler had no experience with film tax credits, which lawmakers created in 2007. Yet the e-mails turned over to The Des Moines Register this month suggest others in the department who had far greater experience with the law, compliance and tax credits were not on top of the mushrooming program, either.

Wheeler's first court appearance on a charge of official misconduct is Thursday. His lawyers question whether he is being made a scapegoat for wider mismanagement of the state-run program.
"The Attorney General's office is claiming that Wheeler's duties mandated under the law were to market, implement, inspect applications, contract, review, inventory, audit for fraud, audit for reasonableness, and respond to all complaints about a $300 million tax credit program," attorney Angela Campbell of Des Moines wrote in a court motion filed Friday. " ... If a court determines that Wheeler did have one of the duties above, no one at IDED or at the attorney general's office told him he had this legal duty."
E-mails to and from Wheeler and former Department of Economic Development chief Mike Tramontina confirm several people at the department — division heads, lawyers, compliance officers and others — were privy to some of the worst problems facing the film program in the two months before it was suspended.

In August and September, for example, several officials knew Minnesota filmmaker Wendy Weiner Runge still was trying to obtain tax credits for services in which no money changed hands. She and other filmmakers were placing pressure on Wheeler to make decisions quickly while the program was growing at a record pace.
Runge has been charged with first-degree theft.

The attorney general's office accused Wheeler earlier this month in a criminal affidavit of misinterpreting and largely ignoring the legislative act that created the film incentives. Prosecutors said that "under Wheeler's direction, the film program became one of the few, if not the only, incentive programs in the nation to allow credit for 'services in kind.' "

Tramontina and his deputy, Vince Lintz, were asked to step down in late September. Other top economic development employees involved have emerged unscathed thus far.
Facing no discipline were Jeff Rossate, who directly oversaw Wheeler and the film program; Amy E. Johnson, coordinator of the agency's business development division and its most experienced tax credit expert; Terry Roberson, chief financial officer, who was supposed to screen expenditures; and Melanie Johnson, the department's general counsel, who was supposed to sign off on all new projects, provide guidance on state law and help administer new agency rules.

Bob Brammer, a spokesman for the attorney general, said he would not comment on why others have been spared in the ongoing investigation of what happened. "It is not appropriate for us to discuss questions relating to criminal investigations or prosecutions," he said.
Minnesotan sent tip on abuse in June 2009
The affidavit filed earlier this month shows Wheeler was aware of potential problems with Runge's movie in June of last year. That's when he received a letter from a man named Jim Brewer, who spelled out the alleged fraud perpetrated on taxpayers by Runge.
Brewer, of Minneapolis, said he had run into Runge, president of Polynation Pictures, while on vacation in Los Angeles.

"She explained how she puts in millions of dollars in phony deferments with people she knows, then gets tax credits to cover it," Brewer wrote.

"She walks away having the state pick up the whole bill. As an example, she said, she spent $750,000 on her film 'The Scientist,' but she's put in for over $2 million dollars in tax credits," Brewer wrote.
The attorney general's affidavit alleges Wheeler never followed up on Brewer's tip except to write him a letter that was later returned.

But several other state officials were already aware of Runge's use of in-kind services, deferred payments and pass-through companies while seeking tax credits for her production, the Department of Economic Development e-mails show.

The attorney general's affidavit notes that Iowa's Department of Revenue weighed in on some expenditures for "The Scientist" as early as 2008, during production of the movie.
E-mails also show Amy Johnson was seeking clarification of what to do about Runge's applications for credits for in-kind and deferred payments as late as September - nine months after several people in her department and the revenue department signed off on tax credits for the film.

Amy Johnson sent one such e-mail to Tramontina, with copies going to Melanie Johnson, Wheeler and Rossate. Also copied on the message was Runge, who had been dangling the prospect of building a sound studio in Newton to a variety of state officials.
"Wendy is looking to confirm that an 'in-kind service' can be treated as an investment in the film," Amy Johnson wrote the group on Sept. 9. "Wendy has assured me that these 'in-kind services' are limited to businesses, which are providing tangible property such as photography equipment, lights, screens, computers, sound equipment, etc."

Tramontina responded with more questions. He later tried to hold off Runge, saying new rules for the film incentives wouldn't be completed until October.
Department of Revenue chief Mark Schuling said this week that he had no idea Runge had sought credits for free or deferred expenses. He said he would not have approved them if he had known.

"The statute is pretty clear," he said. "Unless there's been an expenditure, it wouldn't qualify for the tax credit."

Among the services for which Runge and her partners successfully claimed credits worth $1.85 million in December 2008: $3.2 million paid to West Productions, the project's "pass-through" entity, which was known to the Department of Economic Development.
That sum included $2.5 million to Maximus Production Services - owned by Matthias Saunders, photography director of the film - for services in which no money actually changes hands. Saunders also faces a felony theft charge.

Runge made an initial court appearance Friday, but she did not speak. Her attorney, Chad Primmer of Council Bluffs, said she would be vindicated.

"All my client did was come to Iowa to make movies," he said. "This woman is not a criminal."
Wheeler was behind on work, e-mails say
Wheeler's supporters have long said the state provided him little support as he attempted to manage one of its largest economic development programs. The e-mails obtained by the Register support that contention.

Michael Blouin, a former economic development chief, and others have said Wheeler was hired in 2004 to provide primarily marketing of the state's relatively small film industry. But in the weeks before Wheeler left office last year, he had more work than he could handle, his e-mails suggest.
By late August, Wheeler reported that he had approved 103 applications for pending projects worth as much as $230.9 million in tax credits.

Dozens of filmmakers, financiers and others e-mailed questions about pending incentive contracts that were overdue and about a host of changes to the film law that took effect in summer 2009. Several questioned whether specific expenses — such as planes, license payments for music, workers from out of state — would qualify for credits under new rules being developed by the economic development department.
Wheeler, who had no law degree or previous experience drafting contracts, apologized on an almost daily basis for being tardy in fulfilling requests. He tried but had little luck getting anything more than part-time help. Co-workers rebuffed his attempt to put off some events so he could write new contracts, the e-mails show.

In August, Tramontina brought in auditors after the discovery that state incentives might have been used in the purchase of two luxury vehicles. But the e-mails suggest key people in the department were only beginning to sound alarms.
On Aug. 31, Rossate wrote Tramontina, copying Lintz and Amy Johnson, to ask about the negotiations with Runge.

"It was conveyed to me that you verbally determined that 'yes' these would be recognized as full value. She is apparently wanting some written assurance and is still waiting for this," Rossate wrote.

"My concern is that this program and these 'in-kind' services are becoming a back door for abuse."

On Sept. 16, five days before Wheeler was fired, Tramontina e-mailed the governor's budget director about the looming crisis and other issues, the correspondence shows.
"We've got several issues that we should talk about," Tramontina wrote, asking to talk about the credits. "When we're not talking, I don't know what you are thinking."

On the morning of Sept. 17, Tramontina sent another e-mail to Jim Larew, general counsel to Gov. Chet Culver, telling him he had several film projects pending before the Department of Economic Development's board that morning.

"This will not lessen any administration's options for oversight or slowing spending. However, if I pull them from agenda now it is a big red light that eliminate the option of continuing the program in a prudent way," Tramontina wrote.
"Next steps on this are important I don't want to take a hasty decision without you."

The same day, the governor's budget chief wrote to ask Tramontina to identify Wheeler's immediate supervisor.

Tramontina responded: "Film office is part of Business Development Div. of which Jeff Rossate is the Director. Why do you ask?"

At 5:15 p.m., Lintz sent agency employees notification of Tramontina's resignation.
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